Ponyo

BR PonyoM. (3 years old) and I were both home sick today, so we decided to watch another Miyazaki film, Ponyo together. It’s the fastest-paced, most dramatic movie he’s watched yet, and if I had it to do over again, I might wait until he was 3 1/2 or 4. I don’t think M. thought it was too fast paced, but he did want me to keep reassuring him that everything in the film was just magic, and not real. Of course he also wanted to watch it again as soon as it was over. (Update: we started watching it for a second time several weeks later, and M. decided it was too scary, and he’d rather watch Totoro. I’ve updated my age rating to 4+.)

Ponyo is loosely based on the Hans Christian Anderson fairytale “The Little Mermaid,” and tells the story of Ponyo, a goldfish-girl, who wants to become a person, and her friend Sosuke, a 5-year old boy. (I’m a little bit confused how she can be a goldfish who comes from the ocean, but can be kept alive in a bucket of fresh water. I guess magical goldfish-people can live in both salt and fresh water?) Ponyo’s attempt to become a person unleashes both the intense worry of her father, the wizard Fujimoto, and all kinds of wild energies, which take the form of storms at sea, a great flood, and a sea full of Devonian-era fish. In order for Ponyo to become permanently a person, Sosuke must promise that he loves her, both as a fish and as a person. He does, she is permanently transformed, and order is restored to the world.

I’m generally not a huge fan of animated films, but this one is hand drawn, and has many very beautiful scenes. My favourites were all the underwater scenes. M. loved these too, and he especially loved recognizing copepods and other plankton in the introductory section, which are what his dad studies as an oceanographer.

I know that needing to be loved by a human (man) to become a human (woman) is a common fairy tale trope, and in this case comes directly from The Little Mermaid. But it does come across as a bit strange in the context of a modern retelling, which involves 5-year old children rather than adults. It’s the one place where this feels almost too much like this is a retelling of an existing story, transposed into a new setting, rather than an independent story in its own right.

In short, I would recommend this, and will be happy to watch it again with M., but it’s not quite as perfect as Totoro.

Age: 4+
Child rating: 10/10
Adult rating: 9/10
Running time: 101 minutes

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